Push and pull factors in Syrian migration Assignment - 5

Push and pull factors in Syrian migration - Assignment Example Most people left the country when government forces intensified the bombardment of rebel-held areas (BBC). The civil war has displaced many people. Some of them have sought refuge in the neighboring countries such as Lebanon, Turkey, Egypt and Jordan. According to UNHCR, the number of registered Syrian refugees was 2,863,595 as at 9th July 9, 2014. There were a further 45,503 refugees awaiting registration. The UNHCR also estimates that 6.5 million refugees are internally displaced in the country (Unhcr.org). The largest exodus of Syrians has been from areas that have witnessed the worst conflict. In Deraa, the birthplace of the revolution, an estimated 355,485 (19%) people have fled their homes since the conflict started. In Homs, an estimated 344,198 (18%) people have left their homes. In Aleppo, it is estimated that 285,601 refugees have left for the neighboring countries. Most of the people migrating from Syria to other countries are women and children. According to UNHCR estimates, nearly half of those fleeing the conflict are children. Three-quarters of these Syrian children are under the age of 11. The Syrians displaced by the war remain as refugees in their new locations. About 130,000 of them are in Zaatari Refugee Camp in the Jordanian desert. Security remains a major challenge to the residents of the camp (Unhcr.org). One of the effects of the Syrian civil war is the creation of a humanitarian crisis. The fighting has displaced millions of people from their homes. As a result, access to basic commodities and health care has become a crisis. Civilians who are trapped in some areas of the country are unable to find food (Wsj.com). Some of them who are injured due to the fighting do not access medical care. In some cities such as Homs that have been under siege, civilians were forced to survive on anything, including eating grass.

The Art of Benin Essay Example | Topics and Well Written Essays - 1500 words

The Art of Benin - Essay Example The way in which it was written about suggests that the city gained the respect of European travellers. The Portuguese called it the Great Benin where the Dutch writer Nyendale referred to it as â€Å"prodigious long and broad† which suggests that the writer was impressed with what he had observed (Gallway 1893, p. 128). History only exists when it is related to the following generations; otherwise it must be considered lost. Certeau and Conley (1988) refer to the creation of history as an interpretation that lies between both the conveying of facts and the interpretation of those facts in a social dimension. In other words, history becomes the interpretation of the evidence into a context that can be related into modernity. Certeau and Conley (1988: p. 21) also write that â€Å"History is probably our myth. It combines what can be thought, the ‘thinkable,’ and the origin, in conformity with the way in which a society can understand its own working†. This c an also be discussed in terms of how one society will interpret what it sees within another society. As the writers that were contemporary saw the kingdom of Benin as prosperous in relationship to their own standards of prosperity, it was written about in those types of terms. ... ggests that the place that was Benin no longer is the same as it was when historic visits captured the essence of prosperity in interpretations in relationship to how it was viewed by those relating their experiences. Through the collision of cultures, the evidence of one culture that would not otherwise be captured in the histories of another can be remembered when a place has long since been a reflection of its former glory. Benin is remembered in Western histories which have helped to preserve it as part of the understanding that Western cultures can develop about the part of the world in which it once held its glory. Even though prosperity of the city is remembered as it is related to Western ideals, it means that Western cultures have a perspective on how the place existed within the framework of its own meanings and understandings about a city culture. Part 2 The way in which a museum is more likely to present a body of works is related to the culture in which it is being displ ayed rather than the culture from which the works are being taken. As an example, when museums first began to show the works of the Benin, the focus was on representing it as a primitive culture because the culture in which it was being displayed considered African cultures to have a lack of sophistication and to be essentially primitive. The artworks that were available from the Benin culture did not relate well with the images that had been promoted with the Benin civilization (Brown 2008). The society was not considered a civilization as Western cultures were still trying to reconcile their own participation in slavery of the African people and could not yet accept that cultures that did not reflect the European ethnicity could be truly civilized (Parker and Rathborn 2007). Histories